The tour was well attended and we had the opportunity to see and discuss in detail some of the most important and spectacular Art Nouveau architectural structures of Bucharest, scattered over quite a large area stretching from Lascar Catargiu boulevard to the University Square. The highlights were three churches that exhibit brilliant Art Nouveau features: Amzei, Boteanu and the Russian Church, the most magnificent Art Nouveau monument (the building is in the Neo-Russian style of the 1900s, expressed within Art Nouveau coordinates) of Bucharest. I hope that the few photographs presented here, which I took during the tour, would do justice to those wonderful sites, now so much ignored by the Bucharest people and authorities.
This is the place where the well attended and fascinating today’s architectural tour about the Little Paris style architecture (what I collectively term the Fin de Siècle architecture of Romania inspired mainly from French c19th historicist styles) of Bucharest came to a close. The building used to be a tradesman’s house, now in the property of the local authorities, hosting the population registry office. Its particular style is a flamboyant French neo-rococo, with some neo-Gothic echoes such as the medieval knight armour representations at the base of each Corinthian-like pilasters. The most delightful in my opinion is the wooden doorway, well preserved and straight forward to restore. The monogram of the first proprietor of the house, “N.S.” is visible on the ironwork of the two door windows and on the entrance pediment. The building follows the general plans of a “Pompeii house” with a central hall illuminated by a lantern up on the roof, with rooms distributed around the hall. The Little Paris style houses are among the cheapest period properties in Bucharest and Romania’s citys, being also a rewarding potential restoration project for anyone brave enough to undertake such a task.